Seripop

Recherche sur le site

(2002-

Autre nom

Collectif Desranleau / Lum

Collectif d'artistes

Associations

A été ou est actuellement encore membre de :

Expositions

Groupe

2021 - Là où les mondes s’engendrent – Cité internationale universitaire de Paris, France. Curator: Renaud Gadoury.
2020 - Les gestes flottent, s'empilent et éclatent, Centre Regart, Lévis, Canada. Curators: Maude Johnson and Florence-Agathe Dubé-Moreau
2020 - PRAXES – QuaranTonics (online exhibition). Curators: Laura Hudspith and Róisín McQueirns.
2020 - A Human Touch – Galerie Hugues Charbonneau (online exhibition), Montréal, Canada

2020 - Ambiguous Becoming: Artists’ Moving Image from Canada – Cooper Gallery, University of Dundee, Scotland. Curators: Sophia Hao and Maude Johnson
2019 - From the Studio – Galerie Hugues Charbonneau, Montréal, Canada
2019 - Fanoon: Highlights 2012-2019 - – University Gallery, VCUarts Qatar, Education City, Qatar. Curators: Fleming Jeffries, Zachary Stensen, and Rhys Himsworth.
2018 - 9e Biennale d'art performatif de Rouyn-Noranda, L'Écart, Rouyn-Noranda, Canada du 17 au 20 octobre
2018 - L’art de la sérigraphie publicitaire au Québec – Des années 1950 à nos jours
2018 - Carteles de Quebec – Centro Provincial de Artes Plasticas Y Diseño, Habana, Cuba. Curator: Marc Choko
2018 - Realms II – Gordon Snelgrove Gallery, University of Saskatchewan, Saskatoon
2017 - Performance via la caméra – Galerie Hugues Charbonneau, Montréal, Canada
2017 - Standing Under Mis – Katzman Contemporary, Toronto, Canada
2017 - Km3 – Quartier des Spectacles, Montréal, Canada. Curators: Julie Bélisle, Mélissa Mongiat, Mouna Andraos.
2016 - A Little Bit of Infinity – University of Alberta Museum Galleries, Edmonton, Canada
2015 - L'image signée – Galerie Hugues Charbonneau, Montréal, Canada
2015 - La Estampa: Entre La Diversidad Y La Hibridacion – San Pedro Museo de Arte, Puebla, Mexico
2015 - La Estampa: Entre La Diversidad Y La Hibridacion – Centro de las Artes de Guanajuato, Mexico
2015 - International Print Biennale: Seclected Works – Northern Print, Newcastle, UK
2015 - Simultaneous: Seripop & Sonnenzimmer, Center for Books and Paper Arts, Chicago, USA. Curator: Julia V. Hendrickson
2014 - La Estampa: Entre La Diversidad Y La Hibridacion, MUNAE, Mexico City, Mexico. Curator: Émilie Granjon
2014 - Contemporary Art Forum, Kitchener+Area, Public Art Biennial, Kitchener, Canada
2014 - Echos I – Galerie Hugues Charbonneau, Montréal, Canada.
2013 - Permanent Summer – Civilian Art Projects, Washington DC, USA
2013 - Image Imprimée – Biennale de Gravure Contemporaine, École supérieure des arts St-Luc Liège, Belgium
2012 - Pulled –Public Works Gallery, Chicago USA
2012 - Art Souterrain – Montréal, Qué
2011 - Pulled –Yes Gallery, Cincinnati; Space Gallery, Portland; 3rd Ward, Brooklyn, USA
2011 - The Work Ahead of Us: Québec Triennial II – Musée d’Art Contemporain de Montréal, Canada
2011 - Partly Excavated – ARPRIM, Montréal, Canada. Joint show with Shawn Reed and Ryan Garbes
2010 - Public Works 2 – Andrew Rafacz Gallery, Chicago, USA
2010 - 28th Baie St-Paul Contemporary Art Symposium, Baie St-Paul, Canada, Curator: Stefan St-Laurent
2010 - Street & Studio: From Basquiat to Seripop – Kunsthalle Wien, Vienna, Austria. Curator: Cathérine Hug
2010 - Séripop & Paprika – Galerie Anatome, Paris, France. Curator: Guillaume Fraully
2010 - Printervention - Chicago Tourism Center Gallery, Chicago, USA.
2010 - Excursion sous la terre – ARPRIM, Montréal, Canada.
2009 - Radar Eyes – Fardom Gallery, New York, USA
2009 - The Video Word Made Flesh - 107 Shaw Gallery, Toronto, Canada
2009 - People of Print – Here Gallery, Bristol, England
2009 - Gig Posters: the Art of Music Promotion – Kentucky Museum of Arts and Craft, Louisville, USA
2008 - Color is the Keyboard – Whipper Snapper Gallery, Toronto, Canada
2008 - Radar Eyes – Co-Prosperity Sphere, Chicago, USA
2008 - Screams and Screens – Civilian Art Projects , Washington DC, USA
2007 - We’re Rolling, They’re Hating – Co-Prosperity Sphere, Chicago and Riviera Gallery, Brooklyn, USA
2007 - Design it Yourself – Changing Room Gallery, Stirling, Scotland
2007 - Séripop and Rob Churm – White Chapel Project Space, London, UK. Curator: Richard Birkett.
2007 - Agents of Timbre – Marshall Arts, Memphis, USA
2006 - Territory – Presentation House Gallery / Artspeak Gallery, Vancouver, Canada. Curators: Melanie O’Brian and Helga Pakasaar.
2006 - Dramarama – Kunstcentrum Belgie, Hasselt, Belgium & Extrapool, Nijmegen, Netherlands
2006 - L’art du rock – Médiathèque Associative, Toulouse, France
2005 - Fresh Ink – Pennsylvania College of Art & Design, Lancaster PA, USA
2005 - Masters of Panick – Galerie Madame Edgar, Montréal, Canada
2004 - Get In The Van – Art Prostitute, Denton, USA
2004 - Gleaming the Screen – Transformer Gallery, Washington DC, USA
2004 - SHAZAM! – Creative Alliance, Baltimore, USA
2004 - Bff: Art of Seripop and The Little Friends of Printmaking – The Soap Factory, Minneapolis, USA
2004 - Drawn: New black and White Drawings – Leadbased Gallery, Brooklyn, USA
2004 - Drawing to an End – Foundation Gallery, Chicago, USA
2003 - Work It! – Texas Space, Chicago, USA
2002 - Wild in the Streets – City Hall Courtyard Galleries, Baltimore, USA

Solo

2023 - Stills from Non Existent Performances – Galerie Hugues Charbonneau, Montréal, Canada.
2022 - The Garden of a Former House Turned Museum – Esker Foundation, Calgary, Canada. Curator: Naomi Potter.
2021 -Quand la nature ressent, Sensing Nature, Momenta Biennale (oeuvre présentée :Crushed Butterflies Dream Too), Galerie B-312, Montréal, Canada. Commissaire : Stefanie Hessler du 8 septembre au 24 octobre
2020 - Is It the Sun or the Asphalt All I See Is Bright Black – Cambridge Art Galleries, Cambridge, Canada

2020 - Treasures Are Hopes Made Solid to Catch the Light and Also the Dust, Musée d’art de Joliette, Canada. Commissaire : Anne-Marie St-Jean Aubre.
2019 - What Do Stones Smell Like In The Forest? – Latitude 53, Edmonton, Canada
2019 - Exposition collection Chloë Lum & Yannick Desranleau, Musée d'art contemporain de Montréal, Canada. Curator: Marie-Eve Beaupré du 20 juin 2019 au 4 août 2019
2019 - What Do Stones Smell Like In The Forest?
Cete exposition fut présentée à
– 2019 - Gallery TPW, Toronto, Ont
– 2018 - FoFA Gallery, Montréal, Qué
2017 - Is It The Sun Or The Asphalt All I See Is Bright Black, Circa Art Actuel, Montreal Canada
2016 - 5 Tableaux (It Bounces Back),Or Gallery, Vancouver, Canada. Curator: Joni Low.
Rome, Kiehle Gallery, St. Cloud State University, St. Cloud, Minnesota, USA
2015 - The Face Stayed East The Mouth Went West (elements) – Galerie Hugues Charbonneau, Montréal, Canada
2014 - The Face Stayed East The Mouth Went West – Confederation Centre Art Gallery, Charlottetown, Canada. curator: Pan Wendt
2014 - Meant To Not Mean To Mean To Not Mean To – Anna Leonowens Gallery, Halifax, Canada
2014 - Vexations, Access Gallery, Vancouver, Canada
2013 - Certainty: Two Times Not Really, Struts Gallery, Sackville, Canada
2013 - Looming – YYZ Artists' Outlet, Toronto, Canada
2013 - Seripop – Galerie Hugues Charbonneau, Montréal, Canada.
2013 - More Time Than Space, Engramme, Québec, Canada.
2013 - De par les options qui s'offrent à nous : la moins plausible / la plus tolérable – Galerie B-312, Montréal, Canada.
2012 - The Options That Are Offered To Us: The Least Likely / The Most Tolerable – TRUCK, Calgary, Canada.
2012 - Deux temps, trois mouvements, sans doute – La Maison des Artistes Visuels Francophones, Winnipeg, Canada.
2012 - Ce quoi aurait dû être et ce quoi ne le pouvait pas, Caravansérail, Rimouski, Canada.
2012 - En Finir Avec, Sans Aller Au Fond Des Choses, Action Art Actuel, Saint-Jean-sur-Richelieu, Canada.
2012 - Landscapes Events Reproducted – Blackwood Gallery, University of Toronto at Mississauga, Canada. Curator: Christof Migone
2011 - La Battue – Artist Proof Gallery, Calgary, Canada
2010 - Hoarding Skin – Secret Project Robot, Brooklyn, New York, USA
2009 - IBU400 X 2 – Space 1026, Philadelphia, Pennsylvania, USA
2009 - Seripop – Baltic Centre for Contemporary Art, Gateshead, England. Curator: Sophie Brown
2009 - No Henge – Emporium Gallery, Montréal, Qué
2009 - Seripop – Peacock Centre for Contemporary Art, Aberdeen, Scotland
2008 - Seripop: Mutations – Spedition am Güterbahnhof, Bremen, Germany
2007 - Visual Emetic and Billions of Typos - The Art of Seripop – Manitoba Printmakers Association, Winnipeg, Canada
2007 - Seripop – Hellbaard, The Hague, Netherlands
2006 - Art of Seripop – Tacheles Kunsthaus, Berlin, Germany
2007 - Stuck in a Vortex – Island Arts Center, Newport, Rhode Island, USA. Curator: Greg Pizzoli
2005 - Seripop Exposed – Gallery Latitude 53, Edmonton, Canada
2004 - Riding a Coattail to Heaven – Foundation Gallery, Chicago, USA. Curator: Michael Coleman
2003 - Sérigraphie Populaire: Selected Posters 02-03 – Galerie Saw, Ottawa, Canada
2003 - Posters by Séripop – Doucette Hall Gallery, University of Pennsylvania, Edinboro, USA

Actions, performances et événements

Actions

2019 - Smearing the Dividing Line – temporary public art project, commissionned by the City of Mississauga for Feast in the East, Small Arms Building, July 27. Curator: Tad Michalak.
2018 - It doesn’t bother anyone that Karen / Anouk / Sarah is not following the rules, as long as everybody lies by pretending that they’re following the rules – AGYU Vitrines, Toronto, Canada, January 11 – March 18
2017 - Laocoon – public artwork, commissioned by Partenariat du Quartier des Spectacles and the City of Montréal. Curators: Julie Bélisle, Mouna Andraos, Mélissa Mongiat.
2015 - Some Like It Limp, Public art commission for Art In Buildings, American Can Building, Montreal Canada. Curators: Jennie Lamensdorf and Natalie Diaz

Performances

2020 - Meditations, Volume 4: Treasures Are Hopes Made Solid to Catch the Light and Also the Dust – performance, presented at Carrefour culturel Notre-Dame-des-Prairies, as part of the exhibition 2020 - Treasures Are Hopes Made Solid to Catch the Light and Also the Dust, Musée d'art de Joliette, Canada, February 13
2020 - Becoming Unreal – performance, presented as part of the exhibition Ambiguous Becomings Cooper Gallery, Dundee, Scotland, January 23
2019 - The Garden of a Former House Turned Museum – performance, Musée d’art de Joliette, Canada, October 5
2019 - An Autobiography of Air – performance, Musée d'art contemporain de Montréal, June 19 to August 4

Music, selected projects

AIDS Wolf (Noise Rock group, founding members, with Alexander Moskos) (2003-)
Hamborghinni (Improvisation duo) (2006-)

Discography, selected

2011 - AIDS Wolf, Ma vie banale avant-garde, Lovepump United, New York, USA
2010 - AIDS Wolf, March To The Sea; Skin Graft Records, St-Louis, USA
2008 - AIDS Wolf, Cities of Glass; Skin Graft Records, St-Louis and Lovepump United, New York, USA
2006 - AIDS Wolf, The Lovvers LP; Skin Graft Records, St-Louis and Lovepump United, New York, USA

Music Performances, selected

2012 - AIDS Wolf, Residency at Sporobole, Sherbrooke, Canada
2011 - AIDS Wolf, Vie Banale Tour, USA; 23 dates
2011 - AIDS Wolf, OFF Festival, Katowice, Poland
2011 - AIDS Wolf, Creepy Teepee, Kunta Hora, Czech Republic

Actions (suite)

2014 - We’re never gonna get close because it’s hanging since we took off the horse but kept the rider – material intervention on public artworks in the city of Victoria, in collaboration with Open Space, Victoria, Canada, June 10 - 14
2014 - Meant To Not Mean To Mean To Not Mean To – public artwork commissioned for Paper 14 Art Fair, Montréal, Canada
2012-2014 - Avancez En Arrière – ephemeral public art installation/intervention, in collaboration with Action Art Actuel, Saint-Jean-sur-Richelieu, October 2012 - - May 2014
2010 - J'aurais pas été si j'avais su – public installation on the Chicago River Walk, Chicago, USA, commissioned by the Department of Cultural Affairs.
2006 - TransMediale Festival, Berlin, Germany
2003-2012 - AIDS Wolf, noise rock group, with multiple collaborators

Peformances (suite)

2019 - Becoming Unreal – performance, presented as part of the exhibition What Do Stones Smell Like in the Forest? Gallery TPW, Toronto, Canada, Feburary 23
2019 - The Lead Apron – performance, presented as part of the exhibition What Do Stones Smell Like in the Forest? Gallery TPW, Toronto, Canada, February 10
2018 - The Lead Apron – performance and What do Stones Smell Like in the Forest? –screening, presented as part of the Biennale d'art performatif de Rouyn-Noranda, L'Écart, Rouyn-Noranda, Canada, October 17
2018 - The Lead Apron – performance, presented as part of the exhibition What Do Stones Smell Like in the Forest? Concordia University, Montréal, Canada, May 3 and 24.
2018 - Becoming Unreal – performance, presented as part of the exhibition Of, In or Under by Jasmine Reimer, Forest City Gallery, London, Ontario, Canada, September 12
2016 - Is It the Sun Or the Asphalt All I See Is Bright Black – performance, presented at Art Toronto, co-produced by Drake Hotel, October 26 – 31, curator: MiaNielsen.
2016 - 5 Tableaux (It Bounces Back) – performance, Or Gallery, Vancouver, Canada, September 9
2015 - 5 Tableaux (It Bounces Back) – performance, Darling Foundry, Montréal, August 6
2016 - The Rules – performance, OFFTA Performance Art Festival, Montréal, Canada, June 2 & 3
2016 - Rome – performance, In collaboration with Body Cartography Project, Kiehle Gallery, St-Cloud University, Minnesota, USA, January 26
2015 - Squish to see you never – ephemeral public art installation, jè-st' Performance Biennial, Moncton, Canada, September 23 - 28
2015 - OLOLOLOLOLOLO – performance, Klondike Institute of Art & Culture, Dawson City, Yukon, August 16
2015 - Pushing On A String – performance, Extrapool, Nijmegen, Netherlands, June 13
2015 - Pushing On A String – performance, Courtyard Gallery, University of Texas at Austin, USA, February 27
2015 - The Face Stayed East The Mouth Went West (elements) – performance. Choreography: Sarah Wendt, Galerie Hugues Charbonneau, May 29

Music Performances, selected (suite)

2011 - AIDS Wolf, Eastern Europe, 8 dates
2010 - AIDS Wolf, March to the Sea Tour, North America; 32 dates
2009 - AIDS Wolf, Badass Tour, North America; 39 dates
2008 - AIDS Wolf, Cities of Glass Tour, North America; 35 dates
2008 - AIDS Wolf, Europe and Israel; 41 dates
2008 - AIDS Wolf, Donau Festival, Krems, Austria
2005-2007 - AIDS Wolf, multiple international tours, diverse duration

Musées et collections

BMO Corporate Collection
Montreal Museum of Fine Arts
Musée d'art contemporain de Montréal
Musée national des beaux-arts du Québec, Collection Prêt d’œuvres d’art

University of Maryland Art Gallery
Victoria and Albert Museum, London, United Kingdom; Print & Drawing Permanent Collection
Private Collections

Films

Projection

2022 - -I – online 12-hours multi-artist broadcast, curated by Christof Migone, presented in collaboration with Centre Oboro and Arraymusic. December 12.
2022 - Meditations, Volume 3: Words as Sculpture, Their Shapes as Sound– screening, Official Selection, Fisura
2020 - International Festival of Experimental Film & Video, Mexico City, Mexico.
2020 - Becoming Unreal – screening, Ciné Répertoire, Joliette, Canada, February 10
2020 - Meditations, Volume 2: Things Remember – video projection/temporary public art, La Nouvelle Scène Gilles Desjardins, Ottawa, Canada, January 28 – March 9

Distinctions et prix

2022 - RBC Arts Rising Prize
2022 - Official Selection, for Meditations, Volume 3: Words as Sculpture, Their Shapes as Sound; Fisura, International Festival of Experimental Film & Video, Mexico City, Mexico.
2020 - Shortlist, Le 4e Prix en art actuel du MNBAQ, – MNBAQ & Fondation RBC
2015 - Sobey Art Awards, Long List (Québec)

2012 - Shortlist, Pierre-Ayot Award, City of Montréal and AGAC
2012 - Exhibition Award, Ontario Association of Art Galleries
2007 - Juno Awards, CD/DVD Artwork Design of the Year

Conférences, écrits, commissariats et jurys

Conférences

2022 - Workshop on grant writing, Art Volt Program, Concordia University, Montréal, Canada, November 21.
2022 - Artist talk, Esker Foundation, (online), Canada, October 27.
2022 - Roundtable artist talk, Esker Foundation, Calgary, Canada, July 23.
2021 - Artist talk, Cambridge Galleries (online), Canada, January 21.

2021 - Artist talk, Salon58, Marsoui (online), Canada, January 16.
2020 - Artist talk, Musée en quarantaine, Musée d'art de Joliette (online), Canada, April 24.
2020 - Conference, Département des arts visuels, Université de Moncton, Canada, March 11.
2020 - Artist talk, Owens Gallery, Mount Allison University, Sackville, Canada, February 26
2020 - Artist talk, Studio Arts Department, Concordia University, Montréal, Canada, February 5.
2020 - Artist talk, Duncan of Jordanstone College of Art & Design, University of Dundee, Scotland, January 22
2019 - Conference, Désenclaver l'art imprimé, Université du Québec en Abitibi Témiscamingue, Rouyn-Noranda, Canada, September 21
2019 - Roundtable, Material Performativity, with Maude Johnson, jake moore, and Marie-Eve Beaupré, Musée d'art contemporain de Montréal, August 4
2018 - Roundtable, Biennale d'art performatif de Rouyn-Noranda, Canada, October 18.
2018 - Co-chairs, The (Un)Methods of Print in Multidisciplinary Milieus panel, SGC International Conference, Las Vegas, USA, April 5.
arling, Montréal, Canada, November 30.
2017 - Roundtable, Where To Now?, Art Matters, Concordia University, Montréal, Canada
2016 - Roundtable, Vitriol, AHGSA Conference, Concordia University, Montréal, Canada. Moderator: Catherine Mackenzie.
2016 - Artist Talk, University of Minnesota, Minneapolis, USA
2015 - Conference, UAAC-AAUC 2015, NSCAD University, Halifax, Canada
2015 - Artist talk and performance, Dawson Daily News Print & Publishing Symposium, Dawson City, Yukon
2015 - Artist Talk, School of the Art Institute of Chicago, Printmaking Department
2014 - Artist Talk, Anna Leonowens Gallery, Halifax, Canada
2014 - Artist Talk, Open Space, Victoria, Canada
2014 - Roundtable, Paper Trails, with Dominique Pétrin, moderated by David Balzer, Papier 14 Contemporary Art Fair, Montréal, Qué
2014 - Artist Talk, with curator Kimberly Phillips, Access Gallery, Vancouver, Canada
2013 - Keynote lecture, A Handmade Assembly, Owens Art Gallery / Mount Allison University / Struts Gallery, Sackville, Canada
2013 - Lecture, part of the series 3 Lectures (four voices), Concordia University, Montréal, Qué. Curated by Tricia Middleton, in collaboration with FOFA gallery
2012 - Round Table, Rencontre autour du Futur des Arts Imprimés, Galerie Circulaire, Montréal, Canada
2012 - Artist Talk, Sheridan College Faculty of Visual Arts and Design, Oakville, Canada
2011 - Artist Talk, Musée d’art contemporain de Montréal, Canada
2011 - Artist Talk, Concordia University Printmaking Department, Montréal, Qué
2009 - Lecture, Posters, Modernity, Montreal, Baltic Centre for Contemporary Art / Northern Print
Biennale, Gateshead, England
2009 - Workshop, Peacock Centre for contemporary Art, Aberdeen, Scotland
2008 - Co-curators, Radar Eyes, Co-Prosperity Sphere, Chicago, USA
2007 - Workshop, Tutorial, Martha Street Studio, Manitoba Printmakers Association, Winnipeg, Canada
2007 - Artist Talk, University of Manitoba School of Art, Design Department, Winnipeg, Canada
2007 - Roundtable, Doing It Outside: Public Art And Interventions, Pop Montreal Art Symposium / McGill University, Montréal, Qué
2006 - Artist Talk, Concordia University, Printmaking Department, Montréal, Qué
2004 - Artist Talk, Concordia University, Printmaking Department, Montréal, Qué
2004 - The100 Sided Die, Artist-run coop studios, founding members, Montréal, Qué
2003 - Artist Talk, University of Pennsylvania in Edinboro, School of Fine Arts, Edinboro, USA

Textes et articles

2015 - Chloe Lum and Yannick Desranleau, A series of performances, Knust, Nijmegen.

Résidences, bourses et subventions

Résidences

2021 - Salon 58, Marsoui, Canada
2020-2021 - Autorésidences, AXENÉO7 Artist-Run Centre, Gatineau, Canada
2020 - Performance Creation Residency, Carrefour Culturel Notre-Dame-des-Prairies, in collaboration with Musée d'art de Joliette, Canada
2020 - SONCO Artists-in-Residence, Mount Allison University, Sackville, Canada

2019 - Artists-in-Residence, Daïmon, Gatineau, Canada
2019 - Musée d’art de Joliette, Canada, facilitated by Théâtre Hector-Charland, L’Assomption, Canada, Creation Residency in Dance, for the work The Garden of a Former House Turned Museum, September 30 – October 5
2018 - Despina, Rio de Janeiro, Brazil (facilitated by Centre Diagonale, Montréal); November.
2018 - 8 Days, a Gathering of choreographers, Woody Point, Newfoundland and Labrador
2016-2019 - Montréal Residencies, Darling Foundry, Montréal, Canada
2016 - Fanoon, Center for Printmedia Research, Virginia Commonwealth University Qatar, Doha
2015 - Klondike Institute of Art & Culture, Dawson City, Yukon
2015 - Art Prison, Extrapool, Nijmegen, Netherlands
2015 - University of Texas at Austin, Guest Artist in Print Program.
2014 - Nova Scotia College of Art and Design University (NSCAD), Halifax, Canada
2012 - L'Écart, Rouyn-Noranda, Canada
2010 - 28th Baie St-Paul International Contemporary Art Symposium, Baie-Saint-Paul, Canada; August
2009 - Northern Print, Newcastle, England
2006-2008 - Bongoût, Berlin, Germany
2007 - Hellbaard, The Hague, Netherlands
2006, 2007 - Rotckop, Antwerpen, Belgium
2006 - Extrapool, Nijmegen, Netherlands
2003 - University of Pennsylvania in Edinboro, USA

Bourses et subventions

2022 - Project Grant, Recherche, Conseil des Arts et des Lettres du Québec
2022 - Project Grant, Explore and Create – Professional Development, Canada Arts Council
2022 - Project Grant, Explore and Create - Concept to Realization, Canada Arts Council
2021 - Project Grant, Explore and Create – Professional Development, Canada Arts Council

2021 - Project Grant, Explore and Create - Concept to Realization, Canada Arts Council
2021 - Project Grant, Creation, Conseil des Arts et des Lettres du Québec
2021 - Production Grant, Koyama Provides (private donor)
2020 - Travel Grants, Canada Council for the Arts
2020 - Residency Grant, Ateliers-Résidence, Conseil des Arts et des Lettres du Québec
2020 - Dissemination and Promotion Grant, Conseil des Arts et des Lettres du Québec
2020 - Project Grants, Canada Council for the Arts
2020 - Project Grant, Creation, Conseil des Arts et des Lettres du Québec
2020 - Autorésidences Grant, Centre Axenéo7, Canada
2019 - Travel Grants, Conseil des Arts et des Lettres du Québec
2018 - Travel Grants, Conseil des Arts et des Lettres du Québec
2018 - Travel Grants, Canada Council for the Arts
2018 - Residency Grant, Arts Abroad, Canada Arts Council
2018 - Project Grants, Research and Creation, Conseil des Arts et des Lettres du Québec
2017 - Dissemination and Promotion Grant, Conseil des Arts et des Lettres du Québec
2017 - Travel Grants, Conseil des Arts et des Lettres du Québec
2017 - Travel Grants, Canada Council for the Arts
2017 - Project Grants, Canada Council for the Arts
2016 - Travel Grants, Conseil des Arts et des Lettres du Québec
2016 - Travel Grants, Canada Council for the Arts
2015 - Travel Grants, Canada Council for the Arts
2015 - Travel Grants, Conseil des Arts et des Lettres du Québec
2015 - Project Grants, Research and Creation, Conseil des Arts et des Lettres du Québec
2015 - Project Grants, Canada Council for the Arts
2014 - Travel Grants, Canada Council for the Arts
2014 - Travel Grants, Conseil des Arts et des Lettres du Québec
2014 - Project Grants, Canada Council for the Arts
2013 - Travel Grants, Conseil des Arts et des Lettres du Québec
2013 - Project Grants, Research and Creation, Conseil des Arts et des Lettres du Québec
2012 - Travel Grants, Conseil des Arts et des Lettres du Québec
2012 - Travel Grants, Canada Council for the Arts
2012 - Project Grants, Research and Creation, Conseil des Arts et des Lettres du Québec
2011 - Travel Grants, Conseil des Arts et des Lettres du Québec
2011 - Project Grants, Research and Creation, Conseil des Arts et des Lettres du Québec
2010 - Travel Grants, Conseil des Arts et des Lettres du Québec
2010 - Travel Grants, Canada Council for the Arts
2010 - Project Grants, Research and Creation, Conseil des Arts et des Lettres du Québec
2009 - Travel Grants, Conseil des Arts et des Lettres du Québec
2009 - Travel Grants, Canada Council for the Arts

Bibliographie

Catalogues

2021 - Stefanie Hessler, et al., Sensing Nature : Momenta Biennale, Kerber Verlag, Bielefeld.
Daniella Sanader, Chloë Lum & Yannick Desranleau, An Object Glossary, for the exhibition What Do Stones Smell Like in the Forest?, Gallery TPW, Toronto.
2018 - Jake Moore & Chloë Lum, What Do Stones Smell Like In The Forest?, FoFA Gallery, Montréal.
2017 - Joni Low & al, 5 Tableaux (It Bounces Back), Or Gallery, Vancouver.

2012 - Christof Migone & Yannick Desranleau, Landscapes, Events, Reproducted, Blackwood Gallery, University of Toronto at Mississauga.
2011 - Marie Fraser & all, La Triennale québécoise 2011: Le travail qui nous attend, Musée d’art contemporain de Montréal.
2010 - Guillaume Fraully, Petit Journal No.7, Galerie Anatome, Paris.
2009 - Ed Webb-Ingall, Sophie Brown & all, Seripop/Baltic/Zine, BALTIC Centre for Contemporary Arts, Gateshead.

Monographies

2021 - Marc Choko, Masters of Serigraphy Posters, Éditions du Limonaire, Suresnes, 286 pages.
2019 - Rhys Himsworth, Zachary Stensen & al, Fanoon: Highlights 2012-2019, Fanoon Center for Printmedia Research (VCUarts Qatar), Doha.
2018 - Jon Vaughn, Realms II, Ecstasy Editions, Saskatoon, p 84-85.
2015 - Julia V. Hendrickson & Lauren Weinberg, Simultaneous: Seripop & Sonnenzimmer, Center for Book and Paper Arts at Columbia College Chicago

2013 - John Foster, Paper and Ink Workshop, Rockport Publishers.
2011 - Mike Perry, Pulled: A Catalog Of Screen Printing, Princeton Architectural Press.
2010 - John Foster, 1000 - Indie Posters, Rockport.
2010 - Catherine Hug, Thomas Miessgang & all, Street & Studio: From Basquiat to Séripop, Verlag für moderne Kunst, Nürnberg.
2009 - Bruce Willen and Nolen Strals, Lettering & Type: Creating Letters and Designing Typefaces, Princeton Architectural Press.
2008 - Victor Cheung, Musikgraphics, Victionary, Hong Kong, p. 196-197, 2 colour photos.
2008 - Robert Klanten and Hendrik Hellige, Lemon Poppy Seed: Multitasking Creativity, Die Gestalten Verlag.
2007 - Robert Klanten and Hendrik Hellige, Illusive 2: Contemporary Illustration and Its Context, Die Gestalten Verlag, Berlin, pages 126, 360.
2007 - B. Brumnjak , Kelvin: Colour Today, Die Gestalten Verlag.
2006 - John Foster, New Masters of Poster Design: Poster Design for the Next Century, Rockport Publishers.
2004 - Paul Grushkin and Dennis King, Art of Modern Rock: The Poster Explosion, Chronicle Books.

Revues et articles de journaux

2023 - Éric Clément, ‘Rentrée des galeries: Univers variés’, La Presse [web], January 6.
2022 - Robb Jamieson, ‘Fall Arts Preview 2022’, Elle Canada [web], November 10.
2022 - Madam Neverstop, ‘The Parameters of Decay’, RedDoor Magazine, no 20 “Takover”.
2022 - Karine Bouchard, ‘Dialogues suspendus’, Le Sabord, no 122 “Sutures”.

2022 - André-Louis Paré, ‘Écouter pour voir’, Espace, spring-summer.
2021 - Xenia Benivolski, '17th MOMENTA Biennale, “Sensing Nature”', Art Agenda [web], October 22.
2021 - Marie-Ève Charron, ‘Momenta: la nature là où vous ne l’attendez pas’, Le Devoir, September 25.
2021 - Jayne Wilkinson, 'Natural Causes', Artforum - Slant [web], October 20.
2021 - Cindy Baker, ‘Leaky Bodies : Performance and Pain in the Work of Chloë Lum and Yannick Desranleau’, Black Flash Magazine, Winter 2021.
2020 - Tammer El-Sheikh, 'The Itch of Embodiment: Disability Aesthetics in Works by Chloë Lum and Yannick Desranleau and Ingrid Bachmann', in Entangled Bodies: Art, Identity and Intercorporeality, ed. Tammer El-Shiekh, Vernon Press, Wilmington, p 81-102.
2020 - Josiane Desloges, ‘Les gestes flottent, s’empilent, éclatent : commissariat chorégraphié’, Le Soleil [web], September 3.
2020 - Josiane Desloges, 'Les gestes flottent, s’empilent, éclatent: commissariat chorégraphié', Le Soleil [web], September 3.
2020 - Jean-Michel Quirion, 'La douleur chantée et dansée de Chloë Lum et Yannick Desranleau', Vie des Arts, Number 259.
2020 - Florence Dubé-Moreau, 'Éclater les codes', Elle Québec, February.
2020 - Éric Moreault, 'Prix en art actuel du MNBAQ: les cinq finalistes se partagent 10 000 $', Le Soleil [web], April 27.
2020 - Éric Clément, 'Pluie d'art sur les confinés', La Presse [web], May 11.
2020 - Canadian Art Staff, 'Editor's Pick', Canadian Art [web], January.
2020 - Amélie Giguère, ‘Muséaliser la performance’, Vie des Arts, number 257.
2020 - Amanda Roach, ‘Spotlight : Chloë Lum & Yannick Desranleau’, LVL3 [web], December 23.
2020 - Alexandra Tourigny Fleury, ‘Créer confinés. Les autorésidences d’AXENÉO7’, Vie des Arts [web], September 29.
2019 - Québec Government Office in London, ‘Visual Arts’, Québec Culture, December 2019 - – March 2020.
2019 - Karie Liao, 'Chloë Lum & Yannick Desranleau: What Do Stones Smell Like in the Forest?', C Magazine, no. 140, winter.
2019 - Irene Achterberg, 'Chloë Lum & Yannick Desranleau: What Do Stones Smell Like in the Forest?', Senses and Society, vol. 14, no. 2.
2019 - Fish Griwkowsky, ‘Three to See Thursday: Jom Comyn, smelling stones and re-cut Midsommar’, Edmonton Journal, September 4.
2019 - Esmé Hogeveen, 'Sickness and Strength: The Golem as diva in Chloë Lum and Yannick Desranleau's What Do Stones Smell Like in the Forest?', Cléo Magazine, summer.
2019 - Esmé Hogeveen, 'Chloë Lum & Yannick Desranleau', Canadian Art [web], August 1.
2019 - Éric Clément, 'MAC: la grande pertinence de Rebecca Belmore', La Presse [web], June 23.
2019 - Emma Sharpe, 'A Year in Language (Barriers)', Canadian Art [web], December 19.
2018 - Nathalie Bachand, 'Chloë Lum & Yannick Desranleau, Galerie FOFA, Montréal', Esse [web], May 23.
2018 - Maryse Boyce, 'Biennale d'art performatif, Rouyn-Noranda', Esse [web], October 30.
2017 - Tammer El Sheikh, 'Akimblog', Akimbo [web], June 7.
2017 - Sealan Twerdy, 'Living With Crisis', Canadian Art, Winter 2018.
2017 - Saelan Twerdy, 'Montreal Report: Darkness in Summer', Canadian Art [web], June 28.
2017 - Karie Liao, 'Future Bodies: Living a Posthuman Imaginary World', exhibition essay for Is It The Sun Or The Asphalt All I See Is Bright Black, Circa Art Actuel, Montréal, Qué.
2017 - Jean-Michel Quirion, 'Un arrêt au belgo : à l’intersection de trois expositions', Ex-Situ [web], May 31.
2016 - Vanessa Molina, 'The rules – Les règles – OFF.T.A. 2016', Trahir [web], June 3.
2016 - Maude Johnson, 'Chloë Lum et Yannick Desranleau, avec Sarah Wendt, The Rules', Esse [web], summer.
2016 - Éric Clément, 'L'art en entreprise sur Pie-IX', La Presse [web], January 14.
2015 - Martine Van Hoof, 'L'estampe: nouveaux plans et volumes', Vie Des Arts 237, January.
2015 - Kristel Jax, 'Seripop's Chloe Lum and Yannick Desranleau on Garbage, Grants, and Life After AIDS Wolf', Vice [web], June 22.
2015 - Jérôme Delgado, 'Au-delà des impressions', Le Devoir, Montréal, September 12.
2015 - Christian Ledwell, 'A measure of disorder: Seripop’s exploration of entropy', Visual Arts News, Halifax, January 15.
2015 - Caroline Picard, "Simultaneous: Seripop & Sonnenzimmer – Composing Landscapes." The Seen [web], April 7.
2014 - Sky Gooden, 'Review: The Things Done Well at Papier 14', Blouin ArtInfo [web], April 29
2014 - Sarah Davidson, 'Seripop: Underground Scene to High Art', Satellite Gallery, January 25.
2014 - Lindsay Raining Bird, 'Seripop Culture', The Coast, Halifax, July 31.
2014 - Leah Sandals et David Balzer, 10 Parting Thoughts on Papier 14', Canadian Art [web], April 27.
2014 - Leah Sandals et David Balzer, 'Canadian Art’s Picks from the Papier14 Preview', Canadian Art [web], April 25.
2014 - Jf Huerta, 'La Estampa: Entre la Diversidad y la Hibridación', Art In DF [web], December 14.
2014 - Daniel Joyce, 'Seripop', Canadian Art, Spring 2014.
2014 - Adam Barbu, 'CAFK+A 14', Magenta Magazine [web], August.
2013 - Oli Sorenson, 'Séripop mashes noise and minimalism', M-KOS, February 7.
2013 - Mike Landry, 'Small Gestures', Telegraph Journal, Saint John, October 19.
2013 - Leah Sandals, 'Top 3 of 2013', Canadian Art, December 24.
2013 - Josianne Desloges, 'Seripop chez Engramme: big bang de couleurs', Le Soleil, Québec City, March 9.
2013 - Joseph Henry, 'Paper Planes: Seripop Takes Over YYZ', Blouin ArtInfo, August 16
2013 - Jessica Mensch, '“What’s All The Fuss About?” An Interview With Yannick Desranleau And Chloe Lum Of Seripop', Body Litterature [web], June.
2013 - Jason Urban, 'Pattern Recognition: A Letter from Montréal', Art in Print, October 2013.
2013 - Claire Moeder, 'Séripop: lever le voile', ratsdeville, March 8.
2013 - Caitlin Sutherland, 'Seripop: Looming at YYZ', Daily Serving, October 23.
2012 - Terrance Dick, ‘Akimblog’, Akimbo, February 28.
2012 - Steven Leyden Cochrane, ‘Confusing – but in a good way’, Uptown, Winnipeg, August 9.
2012 - Nives Hajdin, ‘The weightlessness of the world’, The Medium, January 28.
2012 - Leah Sandals, ‘Poster Perfection”, National Post, Toronto, March 1.
2012 - Amy Gaizauskas, ‘Seripop: Landscapes Events Reproducted’, C Magazine, issue 114, Summer..
2011 - Yannick Desranleau, ‘Posters, Modernity, Montreal’, Chromatic: The Crossroads of Color and Music, Alarm Press, Chicago.
2011 - Willie Brisco, ‘Montreal's Cerebral Art Scene Gets Its Due at the Quebec Triennial’, ArtInfo.com, November 28.
2011 - Tammer El-Sheikh, ‘Seripop’, ETC Montréal #92: Folk, p. 13-17.
2011 - Daniel Baird, The Quebec Triennial: Eyes Front, Canadian Art, October 13.
2011 - Chloë Lum, ‘DIY Posters and their Context in Montreal’, Chromatic: The Crossroads of Color and Music, Alarm Press, Chicago.
2011 - Catherine Toews, ‘Review” The Quebec Triennial 2011’, View On Canadian Art, October 19.
2009 - Irene Revell, ‘On Site: Seripop’, The Wire, September.
2009 - Cristal Duhaime and Ali Rahman, ‘Fine Print’, Hour [web], Montreal, July 2.
2008 - Bryn Mooth, ‘Poster Children’, How, no.4, April, pages 54-55.
2007 - Kelly Nickie, ‘Eye Poppers’, The Uniter, Winnipeg, October 4, page 14.
2005 - Alana Coates, ‘Post No Bills’, Maisonneuve, no.17, October/November.

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