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Carl, James

(1960-
Techniques

Photographie

Sculpture

  • Carton
  • Marbre
Apprentissage et enseignement
Formation académique
  • 1996 - Rutgers University, New Jersey, MFA
  • 1995 & 1990 Central Academy of Fine Art, Beijing, Diplomas
  • 1992 - McGill University, Montreal, BA
  • 1983 - University of Victoria, British Columbia, BFA
Enseignement
  • Studio Art at the University of Guelph, ON
Expositions
Groupe
  • 2020 - James Carl: A Rose is a Rose is a Rose..., HOW Museum, Wenzhou, China, curated by Zhou Xin, with assistance from Yan Wu
  • 2020 - Everywhere You Are, Nickle Galleries, University of Calgary, AB
  • 2019 - Pin Yao Sculpture Biennial, China,
  • 2019 - ECHO, TrépanierBaer, Calgary, AB
  • 2019 - Art Toronto, TrépanierBaer, Booth B3, Toronto, ON
  • 2019 - Alexander, Carl, Herzog, Stevenson, TrépanierBaer, Calgary, AB
Lire la suite...
  • 2018 - Steadfastly raise the standards in nonproductive construction, Don Gallery, Shanghai, China
  • 2018 - Art Toronto, TrépanierBaer, Booth B4, Toronto, ON
  • 2018 - Villa Bartelli, Forte di Marmi, Italy
  • 2018 - Papier 2018, TrépanierBaer, Booth C13, Arsenal, Montréal
  • 2017 - Ex Marmi, Pietrasanta, Italy
  • 2016 - Form Follows Fiction: Art and Artists in Toronto, Art Museum at University of Toronto
  • 2016 - Showroom, Art Museum at University of Toronto
  • 2015 - Painting, Drawing & Sculpture: 1963-2015, TrépanierBaer, Calgary, AB
  • 2015 - Canadian Public Art in Xu’hui, 1st Shanghai Urban Space Season, China
  • 2015 - Still Life: Looking at the Overlooked, TrépanierBaer, Calgary, AB
  • 2015 - Rock Stars, Museo Virtuale della Scultura e dell’Architettura, Piasantra,
  • 2015 - Museo di Antropologia, Florence, Italy
  • 2015 - 10 - Over 10, Diaz Contemporary, Toronto, ON
  • 2014 - Friederike Schardt, James Carl, SPAM Contemporary, Dusseldorf, Germany
  • 2014 - SCULPTURE, TrépanierBaer, Calgary, AB
  • 2014 - Art Toronto Booth 808, TrépanierBaer Gallery
  • 2013 - Beguile: James Carl and Lyn Carter, MacLaren Art Centre, Barrie, ON
  • 2013 - Sculpture, TrépanierBaer Gallery
  • 2013 - More than Two, The Power Plant, Toronto, ON
  • 2012 - ROUND-UP 2012, TrépanierBaer Gallery, Calgary, AB
  • 2011 - Alternating Currents, Albright Knox Gallery, Buffalo, USA
  • 2010 - It Is What It Is: Recent Acquisitions of New Canadian Art, National Gallery of Canada, Ottawa, ON
  • 2010 - Beyond/In Western New York, Hallwalls Contemporary Art Center, Buffalo, USA
  • 2010 - Triumphant Carrot: The Persistence of Still Life, Contemporary Art Gallery, Vancouver
  • 2009 - Nothing to Declare: Recent Sculpture from Canada, The Power Plant, Toronto, ON
  • 2009 - 3 Collections 3 Choix, College Boris Vian, Codekerque-Branche, France
  • 2008 - Arena, Art Gallery of Nova Scotia; Art of Alberta; Museum of Contemporary Art, ON
  • 2008 - ABC With Love, Art Metropole, Toronto, ON
  • 2007 - Pulp, Open Space, Victoria, BC
  • 2007 - Fun House, Art Gallery of Alberta, Edmonton
  • 2007 - Sculpture Group Show, Diaz Contemporary, Toronto, ON
  • 2005 - Inaugural Group Show, Diaz Contemporary, Toronto, ON
  • 2004 - Constructa, Galerie 5020, Salzburg, Austria
  • 2004 - Constructive Folly, Doris McCarthy Gallery, University of Toronto, ON
  • 2003 - Recycle, McMaster University, Hamilton, ON
  • 2002 - New Modular, Blackwood Gallery, University of Toronto, ON
  • 2002 - Don, Chianti Foundation, Marfa, Texas
  • 2002 - Provisional Worlds, Art Gallery of Ontario, Toronto, ON
  • 2002 - Pile, Barkenhoff Atelier, Worpswede Museen, Germany
  • 2001 - Promises, Contemporary Art Gallery, Vancouver, BC
  • 2001 - Forever, Embassy of Canada, Beijing, China
  • 2001 - First Light, Bellevue Art Museum, WA
  • 2001 - Objets de Convoitise, Galerie 101, Ottawa, ON
  • 2000 - Minimal Pop, Traywick Gallery, Berkeley, California
  • 2000 - Minutia, SECCA, North Carolina, USA
  • 2000 - Climbing the Walls, Robert Birch Gallery, Toronto, ON
  • 1999 - New Urban Sculpture, New York Public Art Fund Commission
  • 1999 - Spatial Interest, Workspace, New York, NY
  • 1999 - Summit, Galerie 5020, Salzburg
  • 1999 - Something, Kunstverein Hannover, Germany
  • 1999 - I'm the Boss of Myself, Sara Meltzer, New York, NY
  • 1997 - Wrong Place, Right Time, Double Pleasure, New York, NY
  • 1997 - Mannequins, Villa Minimo, Hannover, Germany
  • 1997 - Face Value, PS 122, New York, NY
  • 1997 - Vague Pop Part One, View Room, New York, NY
Solo
  • 2020 - - James Carl: Maintenance, TrépanierBaer, Calgary, AB
  • 2019 - - James Carl, Papier 2019, TrépanierBaer, Special Projects
  • 2018/20 - James Carl: oof, Grounds for Sculpture, Hamilton, New Jersey, curated by Tom Moran
  • 2018/19 - James Carl: woof, Grounds for Sculpture, Hamilton, New Jersey, curated by Tom Moran
Lire la suite
  • 2016 - Content : a survey, TrépanierBaer, Calgary, AB
  • 2013 - Untitled, Diaz Contemporary, Toronto, ON
  • 2012 - Jalousie and Other Works, TrépanierBaer, Calgary, AB
  • 2012 - Untilted, Galerie Division, Montréal
  • 2010 - Side effect, Diaz Contemporary, Toronto, ON
  • 2008-09 - Jalousie, Diaz Contemporary, Toronto, ON
  • 2008-09 - Do you know what: A Survey 1990-2008, Justina M. Barnicke at the University of Toronto; Macdonald Stewart Art Center, Guelph; and Cambridge Galleries, Queen’s Square, ON, ( with catalogue)
  • 2007 - Jalousie, Galerie Heinz-Martin Weigand, Karlsruhe, Germany
  • 2006 - Negative spaces, Florence Loewy, Paris, France
  • 2003 - Plot, Contemporary Art Gallery, Vancouver, BC
  • 2002 - Bottom feeder, Mercer Union, Toronto, ON
  • 1999 - Work, Galerie Haus Schneider, Karlsruhe, Germany
  • 1998 - Galerie Clark, Montréal
  • 1998 - Stock, Art Metropole, Toronto, ON
  • 1997 - Fountain, Toronto Sculpture Garden, Toronto, ON
  • 1996 - Still life, Paul Petro, Toronto, ON
  • 1994 - Unentitled, YYZ, Toronto, ON
  • 1993 - Public works, Grunt Gallery, Vancouver, BC
  • 1992 -Re-possession, Galerie Clark, Montréal
Art public
  • 2020 - Sculpture Commission, Calgary, AB
  • 2020 - Yuhua District Public Sculpture Commission, Shijiazhuang, China
  • 2019 - Finalist (decision pending), Qianhai District, Shenzhen, China
  • 2018 - Linkonggang Public Sculpture Commission, Wuhan, China
Lire la suite
  • 2017 - Finalist, the Imperial + Dunblane complex, Burnaby, BC
  • 2014 - Finalist, West Don Lands, Toronto, ON
  • 2009 - Bell Lightbox/Festival Tower Public Sculpture Commission, Toronto, ON
  • 2010 - Finalist, Heron’s Hill, Toronto, ON
  • 2011 - Finalist, Charlie Condos, Toronto, ON
  • 2007 - Finalist, RBC Tower, Toronto, ON
  • 2007 - Zhongkun Centre Relief Commission, Beijing, China
  • 1999 - New Urban Sculpture, New York Public Art Fund Commission, New York, NY
Musées et collections
  • Art Gallery of Guelph, ON
  • Art Gallery of Ontario, Toronto, ON
  • Art Metropole Archive, National Gallery of Canada
  • Art Museum at University of Toronto, ON
Lire la suite...
  • Canada Council Art Bank
  • Fairmount The Queen Elizabeth
  • Fasken Martineau Dumoulin LLP., Toronto, ON
  • Goodmans LLP, Toronto, ON
  • Grounds for Sculpture, Hamilton, New Jersey, USA
  • McCarthy-Tétrault, Toronto, ON
  • National Gallery of Canada, Ottawa, ON
  • Private Collections: Canada, US, China, Germany, France
  • Scotiabank, Calgary, AB
Distinctions et prix
  • 2007 - Toronto Arts Council, Ontario Arts Council
  • 2006 - Canada Council, Paris Studio
  • 2002 - Canada Council, Ontario Arts Council
  • 2001 - Canada Council Travel Grant
  • 1999 - Louis Comfort Tiffany Award
  • 1999 - Canada Council
  • 1997 - Canada Council
  • 1996 - Toronto Arts Awards, Protégé Award (conferred by Tom Dean)
Bibliographie
Revues et articles de journaux
  • 2015 - Ann Ireland, “Prototyper: James Carl Find Original Form, Canadian Art, Fall 2015, pp.136-141
  • 2012 - Craig White, “ Daniels Unveils ‘Thing’s End’ by Artist James Carl at Festival Tower,” www.urbantoronto.ca, May 4th , 2012
  • 2012 - “Toronto’s Newest Landmark Unveiled,” Canada Newswire, May 4th , 2012
  • 2012 - Tanya Hagen, “ Full metal weave,” FastFoward Weekly, March 8th -14th , 2012
  • 2012 - Heath McCoy, “The art of creating the new from the old,” Calgary Herald, March 10th , 2012
Lire la suite...
  • 2009 - Terrence Dick, “What You See is What You Don’t Get: The Art of James Carl,” Border Crossings, Issue No. 110, pp. 56-65
  • 2009 - Pamela Meredith, “James Carl,” Canadian Art, Vol. 26 - No. 2 - p. 103
  • 2009 - Dan Adler, “Review: James Carl at Diaz Contemporary,” Artforum, February 2009, p. 202
  • 2009 - Sarah Milroy, “Getting under the skin of things,” Globe and Mail (Toronto), 10.01.09, p. R6
  • 2008 - David Balzer, “Eye Candy: jalousie and do you know what,” EyeWeekly (Toronto),04.12.08
  • 2008 - Murray Whyte, “Turning Trash into Treasure,” Toronto Star, 27.11.08, p. E3
  • 2005 - Robin Peck, “Rock Paper Scissors,” C Magazine, (Toronto), 05.05
  • 2004 - Sarah Milroy, “Conceptual Art with your Pradas?” Globe and Mail (Toronto), 04.02.04, p.A3
  • 2004 - Catherine Osborne, “Come Up to My Room,” National Post, 14.02.04
  • 2002 - Sarah Milroy, "Out of the Ordinary," Globe and Mail, 03.12.02, p. R5
  • 2002 - Jessica Bradley, "Provisional Worlds," Exhibition Catalogue, Art Gallery of Ontario, 10.02
  • 2002 - Sarah Milroy, "Thoroughly Modern Art," Globe and Mail, 25.09.02, p. R5
  • 2002 - Betty Ann Jordan, "Message in a Bottle," Toronto Life, 10.02, p. 54
  • 2002 - Ann Dean, "Politics and Romance," C Magazine, #73, Spring 2002, p.23
  • 2001 - Jessica Bradley, “On James Carl...” Canadian Art, Winter 2001, p. 70
  • 2001 - Ruth Dusseault, “Winston-Salem,” Art Papers, 05.01, p.40
  • 2001 - Jill Conner, “Bellevue, Washington,” Art Papers, 05.01, p. 54
  • 2001 - Gillian McKay, “the Best of Canadian Sculpture,” Globe And Mail, 03.11.01, p. V5
  • 2001 - Bryne McLaughlin, "Toronto Sculpture Garden," Canadian Art, Summer 2001
  • 2001 - Doug Kim, "Museum premiers with light, passion," Seattle Times/Post, 07.01.01, p. F1
  • 2001 - Ron Glowen, "Luminous at the Bellevue Art Museum," Artweek, 28.03.01
  • 2001 - Aline Bégin, "Ou Convoitise et Commerce se Rencontrent," Le Droit, 21.04.01, p. A46
  • 2000 - Glen Helfand, “Minimal Pop,” San Francisco Bay Guardian, 03.05.00, p. 103
  • 2000 - Robert Mahoney, “New Urban Sculpture,” Time Out New York, 31.10.00, p. 56
  • 2000 - Roberta Smith, "Stretching Definitions of Outdoor Sculpture," New York Times, 28.7.00, p.B25
  • 2000 - Gary Michael Dault, "Gallery Going," Globe and Mail (Toronto), 22.7.00, p. R10
  • 1999 - Carol Vogel, "Inside Art," New York Times, 15.10.99, p. B32
  • 1999 - New Yorker, "Goings on About Town," 13.9.99
  • 1999 - John Grande, "James Carl," Sculpture, (Chicago), Apr. 99, pp. 18-25
  • 1998 - Marcus Miller, "Essential Items," Mirror (Montreal) 8.10.98, p. 31
  • 1997 - Christopher Hume, "A Panoramic View...," The Toronto Star, 5.6.97, p. G12
  • 1997 - Gillian MacKay, "Sculptural Surrogates...," Globe and Mail (Toronto) 31.5.97, p. C13
  • 1997 - Barbara Fischer, "fountain," Toronto Sculpture Garden catalogue essay
  • 1997 - Blake Gopnick, "James Carl's Corrugated Craft," The Globe (Toronto), 15
  • 1996 - John Grande, "Exhibition Review," Atlanta Art Papers, 11.96
Autres références