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Bachman, Ingrid

Associations

A été ou est actuellement encore membre de :

Biographie et démarche

Ingrid Bachman vit à Montréal, Qué

Expositions
Groupe
  • 2021 - Healing, Knowing, and Seeing the Body, Spencer Museum, Lawrence, USA
  • 2021 - Terra Nova | Regard sur le présent et le future, Art Mûr, Montréal, Canada
  • 2018 - Flux, International Museum of Surgical Science, Chicago, USA
  • 2018 - Relay, FOFA Gallery, Montréal, Canada
Lire la suite...
  • 2018 - Digital Animalities, John B. Aird Gallery, Toronto, Ont
  • 2018 - Chiasma, Winchester Galleries, Southampton, UK
  • 2017 - Hybrid Bodies, London West Galleries, London, UK
  • 2017 - Flux, dc3 Art Project, Edmonton, Canada
  • 2017 - Sheridan College Anniversary Exhibition, Oakville, Canada
  • 2017 - See Me, Hear Me, McMullen Gallery, Edmonton, Canada
  • 2016 - Hybrid Bodies, Kunst Kraft Werk, Leipzig, Germany
  • 2016 - The Patient. Curator: Rebecca Dean, UNSW Galleries, Sydney, Australia
  • 2015 - Flesh of the World, Curator: Amanda Cachia, Doris McCarthy Gallery UTAC, Toronto, Ont
  • 2015 - FIVAC (International Festival of Video Art Camaguey), Cuba
  • 2014 - Alive/Eveil, SESC Santana, Sao Paulo, Brazil
  • 2014 - XIII Festival de la Imagen, Manizales, Columbia
  • 2014 - Hybrid Bodies, PHI Centre, Montréal, Quebec
  • 2013 - Open Score, Contemporary Art Museum USF, Tampa, Florida
  • 2013 - Intersensorial Threads, University of Wollongong, Australia
  • 2012 - 11th Havana Biennial, Havana (Cuba)
  • 2012 - Command Z, CADVC (Center for Art Design and Visual Culture, Baltimore, USA
  • 2012 - Fashionality, McMichael Gallery of Canadian Art, Kleinburg, Ont
  • 2012 - 2+2, Centro des Arollos, Havana, Cuba
  • 2010 - lab30, Augsburg Allemagne
  • 2010 - Title VI, Musée d’art de Joliette, Québec, Qué
  • 2010 - Contact, FOFA Gallery, Montréal, Qué
  • 2010 - Fabrications, Cambridge Gallery, Cambridge (Canada)
  • 2009 - Into the Streets: Avenues for Art, Southern Alberta Art Gallery, Lethbridge, Ont
  • 2009 - Titles V, Art Metropole, Toronto, Ont
  • 2009 - Parallel Practices, Stewart Hall, Point Clair (Canada)
  • 2009 - Recall, Montréal Centre for Contemporary Textiles, Montréal, Qué
  • 2008 - Titles 4, London, Ont
  • 2008 - Titles 3, L'Ecume des Jours and Articule Gallery, Montréal, Qué
  • 2008 - Babel. Romerias dos Mayos, Holguin, Cuba
  • 2008 - Fiberart International, Mint Museum, Charleston (USA)
  • 2008 - The Clay Center for the Arts and Sciences, Charleston (USA)
  • 2008 - Transit/Transitions. Group Molior, Centro Cultural Pontifica Universidad Catolica del Peru, Lima (Peru)
  • 2008 - Zoo. Interaccess Gallery, Toronto, Ont
  • 2008 - Moving Stories. Harbourfront Centre, Toronto, Ont
  • 2008 - Fiberart International. Pittsburgh Centre for the Arts (USA)
  • 2008 - CAFKA07. Sonar, Kitchener, Ont
  • 2008 - The Inhabited Body. Groupe Molior, Montréal, Qué
  • 2006 - WADE. Site specific installation with Lorraine Oades and Ana Rewakowicz, Toronto, Ont
  • 2005 - Creativity and Cognition. Goldsmiths College, University of London, UK
  • 2002 - Secret: 10th Anniversary Exhibition. Leonard and Bina Ellen Art Gallery, Montréal, Qué
  • 2002 - Three Acres on the Lake. Chicago Architectural foundation, Chicago, USA
  • 2002 - Science Fair: Feminist Interventions in Cyberspace. Studio XX, Montréal, Quebec
  • 2001 - Hôpital. Site-specific installation in an abandoned hospital, Articule Gallery, Montréal, Qué
  • 2001 - Three Acres on the Lake. Gallery 312, Chicago, USA
  • 2001 - "...and then we take Berlin". Artworks 01. Contemporary Art Forum, Kitchener, Canada, with Lorraine Oades and Ana Rewakowicz * catalogue
  • 2001 - Textiles and Technology. The Gallery at White Mountain College, Eliot Lake
  • 1999 - 48 Hours/48 Rooms. Site- specific installation in an abandoned rooming house, Montréal, Qué
  • 1998 - webs:/ textiles and new technologies. The Design Gallery. University of California, Davis, USA
  • 1996 - The Presence of Touch. Gallery 2, Chicago, USA
  • 1996 - Trans / Mission
Solo
  • 2021 - Galeria Tallerlolo, Manizales, (Cuba)
  • 2017 - Angry Work. Art Mûr Gallery, Montréal, Qué
  • 2015 - Counterpoint. Art Mûr Gallery, Montréal, Qué
  • 2015 - Survey exhibition that included The Portable Sublime, Pelt (Bestiary) and Symphony for 54 Shoes Pelt (Bestiary). Galerie Diagonale, Montréal, Qué
Lire la suite
  • 2011 - Institute of Everyday Life. La Cité internationale des arts, Paris, France
  • 2008 - Symphony for 54 Shoes. Galerie des arts visuels, Université Laval, Québec, Qué
  • 2007 - Memo. Galerie D.V.O., Brussels (Belgium)
  • 2007 - Memo. La Vitrine, Montréal, Qué
  • 2006 - Symphony for 54 Shoes. Kinetic Installation. Neutral Ground Gallery, Regina, Alb
  • 2003 - Digital Crustaceans. Installation and Web Project. Articule Gallery, Montréal, Qué
  • 2003 - The Portable Sublime. Optica Gallery, Montréal, Qué
  • 2001 - Sonar. Site Specific Installation, with Lorraine Oades and Ana Rewakowicz, Bain St-Michel, Montréal, Qué
  • 2000 - Fluid Exchanges and Twitching Automata. Three installation works -
  • 2000 - Interactive Still Lives, Knit One, Swim2, and Talking Walls. The Hearts Art Gallery, Oakland, CA
  • 1998 - Interactive Still Lives. AKA Gallery, Saskatoon, Sask
  • 1997 - Migration. Site Specific Installation, Franconia Sculpture Park, Minneapolis, MI
  • 1996 - Talking Walls. Oboro Gallery, Montréal, Qué
  • 1995 - Fault Lines: A Montréal and Los Angeles Link. Collaboration with Barbara Layne
  • 1995 - La Centrale Gallery, Montréal, Qué
  • 1995 - Side Street Projects, Los Angeles, CA)
  • 1995 - Talking Walls. Eastern Edge Gallery. St. John's, NB
  • 1994-1995 - Persistent Dispositions: Technetronic Identities. alt.arts.nomad, Internet Newsgroup, CALARTS, Los Angeles, CA
  • 1994 - Speaking Sites. Art in General. Interactive installation. New York, NY
  • 1993-1995 - A Nomad Web: Sleeping Beauty Wakes Up. Installation and Web Project Walter Phillips Gallery. Banff, Alb
  • 1993 - Berlin Stories. OR Gallery. Vancouver, BC
  • 1993 - Berlin Stories. The Contemporary Gallery; The Museum for Textiles. Toronto, Ont
Musées et collections
  • Alberta Foundation for the Arts
  • Sheridan College
  • Private Collections
Distinctions et prix

Résidences

  • 2020-2021 - Artist in Residence, Spencer Museum of Art, Lawrence (USA)
  • 2018 - International Artist in Residence, KU Medical Center, Kansas (USA)
  • 2015 - Artist in Residence: ACADIA summer Arts Program, Maine (USA)
  • 2010 - Artist in Residence, Cité des arts, Paris, France

Bourses

  • 2020 - Canada Council, Research Creation Grant
  • 2018 - Canada Council, Travel Grant
  • 2016 - Canada Council, Travel Grant
  • 2015 - SSHRC (Social Sciences and Humanities Research Council of Canada),
Lire la suite...

Résidences (suite)

  • 2009 - Artist in Residence, University of Wollongong (Australia)
  • 2006 - Artist in Residence: Sagamie, Le Centre national de recherche et diffusion en arts contemporains numériques, Alma (Québec)
  • 2005 - Artist in Residence: Daïmon Media Arts Centre, Gatineau, Qué
  • 2005 - Artist in Residence: Studio XX, Montréal (Quebec)
  • 2005 - 1997 - Artist in Residence: The UCROSS Foundation, Ucross, Wyoming (USA)

Bourses (suite)

  • 2015 - Insight Grant. Hybrid Bodies II: Gifting Life: Embodiment, Affect, Anonymity and Kinship.
  • 2014 - Conseil des arts et lettres du Québec, Travel Grant
  • 2012 - Canada Council, Travel Grant
  • 2011 - Conseil des arts et lettres du Québec, Arts médiatiques Research Creation
  • 2010 - Canada Council Paris Studio, Artist Residency
  • 2010 - SSHRC (Social Sciences and Humanities Research Council of Canada),
  • 2010 - Research/Creation Grant. Hybrid Bodies: An Artistic Investigation into the Experience of Heart Transplantation
  • 2008 - The Canada Council, Travel Grant
  • 2007 - SSHRC (Social Sciences and Humanities Research Council of Canada),
  • 2007 - Research/Creation Grant.Pelt Bestiary.
  • 2007 - The Canada Council, Media Arts Grant
  • 2007 - CIAM (Centre interuniversitaire des arts médiatiques), Travel Grant
  • 2005 - FQRSC. Research Creation Grant.
  • 2004 - Conseil des arts et lettres du Québec, Travel Grant
  • 2004 - CIAM (Centre interuniversitaire des arts médiatiques), Travel Grant
  • 2003 - The Canada Council, Media Arts Grant
  • 2001 - Hexagram Institute: Research and Creation Grant
  • 2001 - Canada Council, Media Arts and Technologies
  • 2000 - Computer-Integrated Media Research Grant
  • 2000 - The Daniel Langlois Foundation for Art, Science and Technology Valorization Récherche Québec, Research and Development Grant
Bibliographie
Revues et articles de journaux
  • 2019 - Mathieu Perrault, “Hybrid Minds/Hybrid Bodies”, La Presse, Quebec
  • 2017 - Tammer El-Sheikh, “Ingrid Bachmann at Art Mûr,” Akimbo, Canada
  • 2016 - Imogen Bennen, "The Patient," Art & Culture News, ABC, Australia
  • 2015 - Terence Dick. "Flesh of The World," Border Crossings no.87, 2015
Lire la suite...
  • 2015 - Julie Alary Lavallé, "Bêtes Noires -Pelt (Bestiary) d'Ingrid Bachmann", Espace Art Actuel Number 111, Fall 2015
  • 2015 - Inez van der Spek, "Kunstmatige dieren: Pelt Bestiary," Kunst, Cultur & Levensvragen, Holland 2015
  • 2015 - Eric Clément. "De Bien Belles Découvertes," La Presse, December 11, 2015
  • 2014 - Frédérique Doyon, "Coeur de greffé soupire pour deux", Le Devoir, January 22, 2014
  • 2014 - Veronica Redgrave, “Art from the Heart”, Vie des Arts no.24, Spring 2014
  • 2014 - John Pohl, "Hybrid Bodies", The Gazette, February 14, 2014
  • 2014 - Natalia Wysocka, "Hybrid Bodies: une histoire de coeur", Journal Metro, January 17, 2014
  • 2014 - Elaine Pritchat, "The Third Culture", AQNB Journal, February 2014.
  • 2014 - June Lopez, "Five-Point Palm Exploding Art Technique", The Link, Vol 35, Issue 18, 201
  • 2013 - Edisabel Marrero Tejeda, "On Truth and Lies in the stricto sensu", Espace Sculpture Spring/Summer 2013
  • 2014 - Robert Perée, "Quality Born from Chaos", Kunstbeeld, Netherlands, 2012
  • 2014 - Andrea Appleton, "Command Z: Artists Working with Phenomena and Technology", City Paper, Baltimore, 2012
  • 2014 - Jerome Delgado, Manif d'art 6, Espace Sculpture No. 101, 2012
  • 2014 - Bernard Lévy, "Machinations, e-machinations", Vie des Arts No. 227, 2012
  • 2014 - Josianne Desloges, "Ingrid Bachmann: jolie bêtes noires, Le Soleil
  • 2014 - "80 Artistes à la Bienniale de Québec", La Presse Montréal
  • 2010 - Christine Palmieri, “Tendances<,Pop Corn.>Les processus oxymoriques dans l’art contemporain”, ETC Revue de l’art actuel No. 91, 2010
  • 2009 - Viviane Paradis, “Un ballet mécanique pour corps absent”, ETC Revue de l’artactuel No. 86, 2009
  • 2007 - Stephenanie Rogerson, "Nature and Technology Collide in Mind-Boggling Show", Now Magazine, Vol 26, No. 26, March 1 -7, 2007
  • 2007 - Mix Magazine # 59, Toronto, Spring 2007
  • 2007 - Harold Raymundo Untiverso, "Estética del siglo XX", La Primavera, April 12, 2007.
  • 2007 - Alberto Revoredo, "Arte y ciencia en muestra mulitmedia", El Comercio, April 12, 2007.
  • 2007 - Pedro Escribano, "La technologia también se viste de arte", La República, April 12, 2007.
  • 2007 - Sulsba Yépez, "Las transiciones del arte electrónica canadiense" Perû 21, April 11, 2007.
  • 2007 - Ernesto Carlin Gereda, "Novedad qu viene de Canadá", El Peruano, April 11, 2007.
  • 2007 - "Transiciones canadienses" Cultural Expreso, April 10, 2007.
  • 2006 - http:www.we-make-money-not-art.com
  • 2004 - Bernard Lamarche, “Coup de Théâtre”, Le Devoir, November 15, 2003.
  • 2004 - “Délices”, ICI, November 13-19, 2003
  • 2004 - Jessica Carpenter, “Digital Crustaceans: Homesteading on the Web”, FUSE Magazine, Vol 27 No. 1
  • 2004 - Gilles Daigneault, “Tirer sur le scenographe, regardez les objets rêver”, Espace Sculpture, 2003
  • 2003 - Randall Anderson, “Digital Crustaceans”, Canadian Art, Fall 2003.
  • 2002 - Christine Redfern, “Digital Dames”, Mirror, March 21, 2002.
  • 2002 - Marie-Ève Charron, “Des révélations équivoques”, Le Devoir, 20 Octobre, 2002
  • 2002 - Henry Lehmann, “Gallery’s Success is no Secret”, The Gazette, Nov. 9, 2002.
  • 2002 - Isabelle Grégoire, “Des Vêtements pleins de puces”, L’Actualité, August 2002.
  • 2001 - Sarat Maharaj, "Intermim entries for a dictionnaire élémentaire on Cultural Translation" in re-VERBERATIONS: Tactics of Resistance, Forms of Agency in Trans/cultural Practices. Ed. Jean Fisher, Holland: Jan van Eyck Editions, 2001.
  • 2001 - Stephen Wilson, Information Arts: Intersections of Art, Science, and Technology. Cambridge: The MIT Press, 2001.
  • 2001 - Dayna McLeod. "Heal Hole", HOUR, May 24, 2001.
  • 2001 - Bernard Lamarche, "Hôpital: Guérir en la demeure", Le Devoir, 17 juin, 2001.
  • 2001 - Caroline Loncol Daigneault, “Science Fair: Feminist Configurations in Cyberspace”, Cyberculture Artistique, www.archee.qc.ca, Mai 2002